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	<title>Working Papers - a graduate publication of the UPenn Department of Romance Languages</title>
	<link>http://www.pennworkingpapers.org/articles</link>
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	<pubDate>Tue, 18 Nov 2008 16:09:58 +0000</pubDate>
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		<title>« La vraie liberté, c’est de pouvoir se passer d’autrui » : fraternité et forme dans les Scènes de la vie de bohème de Murger</title>
		<link>http://www.pennworkingpapers.org/articles/2008/11/18/swanson-la-vraie-liberte/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/11/18/swanson-la-vraie-liberte/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 04:05:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 2]]></category>

		<category><![CDATA[Volume 2]]></category>

		<guid isPermaLink="false">http://www.pennworkingpapers.org/articles/2008/11/18/%c2%ab-la-vraie-liberte-c%e2%80%99est-de-pouvoir-se-passer-d%e2%80%99autrui-%c2%bb-fraternite-et-forme-dans-les-scenes-de-la-vie-de-boheme-de-murger/</guid>
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Author Bio

Lucy Swanson
  University of Pennsylvania
Les Scènes de la vie de bohème1, l’ouvrage d’Henry Murger, a créé un mythe bohémien qui perdure jusqu’à nos jours grâce aux adaptations dramatiques de l’histoire, mais le texte reste peu considéré dans des cercles académiques, et aucun critique n’a examiné l’importance de la [...]]]></description>
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		<title>Ciúme e soterramento em Ressurreição</title>
		<link>http://www.pennworkingpapers.org/articles/2008/11/18/herane-ciume-e-soterramento/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/11/18/herane-ciume-e-soterramento/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 04:05:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 2]]></category>

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Author Bio

Amanda Rios Herane
  University of São Paulo
Pequeno panorama crítico 
  Ressurreição, primeiro romance de Machado de Assis, de 1872, é uma obra que ainda hoje atrai poucos olhares críticos brasileiros, muito em função da maneira como se inscreveu na tradição crítica do país. Do século XIX ao [...]]]></description>
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		<title>The Pleasures of Violence: Irony and Post-testimonial Discourse in Cidade de Deus by Paulo Lins.</title>
		<link>http://www.pennworkingpapers.org/articles/2008/11/18/lorenz-pleasures-of-violence/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/11/18/lorenz-pleasures-of-violence/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 04:05:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 2]]></category>

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		<guid isPermaLink="false">http://www.pennworkingpapers.org/articles/2008/11/18/the-pleasures-of-violence-irony-and-post-testimonial-discourse-in-cidade-de-deus-by-paulo-lins/</guid>
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Author Bio

Aaron Lorenz Tulane University
“Only intellectuals enjoy poverty. (Quem gosta de miseria é intelectual)” Joãozinha Trinta. Quoted in “Traficando Informação.” MV Bill

The novel, Cidade de Deus (1997), by Paulo Lins, can be seen as a landmark in the shift towards a new aesthetics of poverty in Brazil and marks the [...]]]></description>
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		<title>Um começo e uma origem - pela poesia de Nicolas Behr</title>
		<link>http://www.pennworkingpapers.org/articles/2008/11/18/bastos-comeco-e-uma-origem/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/11/18/bastos-comeco-e-uma-origem/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 04:05:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
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Author Bio


Laíse Ribas Bastos 
Universidade Federal de Santa Catarina
Quando todos já tiverem contemplado a nobre criatura, vestígio de alguma época já maldita, uns indiferentes, pois não terão possuído a força de compreender, mas outros, aflitos, e a pálpebra úmida de lágrimas resignadas se contemplarão, enquanto que os poetas desses tempos, [...]]]></description>
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		<title>Vertically Challenged Ou Le complexe de la taupe1</title>
		<link>http://www.pennworkingpapers.org/articles/2008/11/18/traisnel-vertically-challenged/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/11/18/traisnel-vertically-challenged/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 04:05:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 2]]></category>

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Antione Traisnel Lille 3 University

PS:
I seemed every night to descend, not metaphorically, but literally to descend, into chasms and sunless abysses, depths below depths, from which it seemed hopeless that I could ever reascend. &#8230; This I do not dwell upon; because the state of gloom which attended these [...]]]></description>
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		<title>Heroes, Gods, and Myths: The Myths That We Create and How They Create Us; Volume 2, Number 1 Fall 2008</title>
		<link>http://www.pennworkingpapers.org/articles/2008/01/11/heroes-gods-and-myths-the-myths-that-we-create-and-how-they-create-us-volume-2-number-1-fall-2008/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/01/11/heroes-gods-and-myths-the-myths-that-we-create-and-how-they-create-us-volume-2-number-1-fall-2008/#comments</comments>
		<pubDate>Fri, 11 Jan 2008 15:03:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
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		<guid isPermaLink="false">http://www.pennworkingpapers.org/articles/2008/01/11/heroes-gods-and-myths-the-myths-that-we-create-and-how-they-create-us-volume-2-number-1-fall-2008/</guid>
		<description><![CDATA[During a recent trip to Mexico, I glimpsed a weather-beaten billboard for a Christian children’s organization that pleaded “Sea un heroe, salve un niño” – Be a hero, save a child. The definition of heroism implied in this advertisement, complex in its inclusion of religion, morality, and cash donations, doesn’t strike us as powerful myth [...]]]></description>
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		<item>
		<title>Heroes, Gods, and Myths: The Myths That We Create and How They Create Us</title>
		<link>http://www.pennworkingpapers.org/articles/2008/01/11/roundtable_myth/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/01/11/roundtable_myth/#comments</comments>
		<pubDate>Fri, 11 Jan 2008 15:03:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Volume 2]]></category>

		<category><![CDATA[Roundtable]]></category>

		<guid isPermaLink="false">http://www.pennworkingpapers.org/articles/2008/01/11/roundtable_myth/</guid>
		<description><![CDATA[

Welcome to the third Working Papers roundtable discussion. In this issue, devoted to myths, gods, and heroes, our contributing authors analyze the rewriting of religious myths, the confrontation of conflicting conceptions of nationality and belonging, and the intertextual nexus through which Greco-Roman mythology meets Modernism. To complement their analyses, we asked experienced scholars who have [...]]]></description>
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		<title>Questioning the Nation: Ambivalent Narratives in Le Retour au désert by Bernard-Marie Koltès</title>
		<link>http://www.pennworkingpapers.org/articles/2008/01/11/kleppinger-ambivalent-narratives-koltes/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/01/11/kleppinger-ambivalent-narratives-koltes/#comments</comments>
		<pubDate>Fri, 11 Jan 2008 15:02:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 1]]></category>

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Kathryn Kleppinger
New York University
Bernard-Marie Koltès has remained nearly as enigmatic almost 20 years after his death as in the early 1980s,  when his plays routinely challenged and confused contemporary audiences and critics.  Koltès’ writing,  which combines lyric elegance with biting social commentary,  has gained in [...]]]></description>
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		<title>À la Recherche d&#8217;un Dieu Perdu: Recreating Religion in La Tentation de Saint Antoine</title>
		<link>http://www.pennworkingpapers.org/articles/2008/01/11/don-religion-saint-antoine/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/01/11/don-religion-saint-antoine/#comments</comments>
		<pubDate>Fri, 11 Jan 2008 15:02:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
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Willemijn Don
New York University

 La Tentation de Saint Antoine  is “un livre qui fait peur,” according to Flaubert scholar Jeanne Bem (13). Indeed, it is a monstrous text that presents us with multiple characters and an amalgam of heresies and temptations. Confusion further stems from the difference in [...]]]></description>
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		<title>La italicidad como quiasma clásico en De sobremesa de José Asunción Silva</title>
		<link>http://www.pennworkingpapers.org/articles/2008/01/11/diente-italicidad-silva/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/01/11/diente-italicidad-silva/#comments</comments>
		<pubDate>Fri, 11 Jan 2008 15:02:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 1]]></category>

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Pablo Martínez Diente
Vanderbilt University.


Un fervor lírico dilataba su pensamiento. El final de Percy Shelley, tantas veces envidiado y soñado bajo la sombra del palpitar del velaje, se le apareció en un inmenso reflejo de poesía. Aquel destino poseía una grandiosidad y una tristeza sobrehumana. Su muerte es misteriosa y [...]]]></description>
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