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	<title>Working Papers - a graduate publication of the UPenn Department of Romance Languages</title>
	<link>http://www.pennworkingpapers.org/articles</link>
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	<pubDate>Thu, 06 May 2010 04:00:01 +0000</pubDate>
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		<title>Le Navigazioni e viaggi di Ramusio: spazi e luoghi in un progetto rinascimentale di mappatura del mondo</title>
		<link>http://www.pennworkingpapers.org/articles/2010/03/17/veneri-le-navigazioni-e-viaggi-di-ramusio/</link>
		<comments>http://www.pennworkingpapers.org/articles/2010/03/17/veneri-le-navigazioni-e-viaggi-di-ramusio/#comments</comments>
		<pubDate>Thu, 18 Mar 2010 03:53:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 1]]></category>

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		<guid isPermaLink="false">http://www.pennworkingpapers.org/articles/2010/03/17/le-navigazioni-e-viaggi-di-ramusio-spazi-e-luoghi-in-un-progetto-rinascimentale-di-mappatura-del-mondo/</guid>
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Author Bio
Toni Veneri
University of Trieste
Il Rinascimento è stato ed è tuttora al centro di un’articolata mitologia dello spazio elaborata dalla storiografia occidentale: nella riflessione umanistica come nelle applicazioni tecniche, nelle arti figurative come nell’esercizio territoriale dell’autorità, nuovi paradigmi spaziali sembrano emergere in questo periodo modificando gli orizzonti delle scienze e [...]]]></description>
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		<item>
		<title>Retracing Heinrich Barth: A Slideshow</title>
		<link>http://www.pennworkingpapers.org/articles/2009/12/15/retracing-heinrich-barth-a-slideshow/</link>
		<comments>http://www.pennworkingpapers.org/articles/2009/12/15/retracing-heinrich-barth-a-slideshow/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 04:47:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 1]]></category>

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		<description><![CDATA[back to Vol 3, Issue 1 &#187;

            
          
          
          Artist&#8217;s Biography

Photo by John Fung
Julia Winckler is [...]]]></description>
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		<title>Passages of the Self: Georges Perec and the Infra-ordinary</title>
		<link>http://www.pennworkingpapers.org/articles/2009/12/11/haber-passages-self-perec/</link>
		<comments>http://www.pennworkingpapers.org/articles/2009/12/11/haber-passages-self-perec/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 04:30:06 +0000</pubDate>
		<dc:creator>workingpapers</dc:creator>
		
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Alex Haber
Cornell University
“This reform of the self whose criterion is a nature – but a nature that was never given and has never appeared as such in the human individual, whatever his age – all naturally takes on the appearance of a stripping away of previous education, established habits, [...]]]></description>
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		<title>Altered Spaces: Calvino, Fenoglio and the Odyssey of the Italian Partisan</title>
		<link>http://www.pennworkingpapers.org/articles/2009/12/11/ryan-altered-spaces-oddyssey-italian-partisan/</link>
		<comments>http://www.pennworkingpapers.org/articles/2009/12/11/ryan-altered-spaces-oddyssey-italian-partisan/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 04:29:17 +0000</pubDate>
		<dc:creator>workingpapers</dc:creator>
		
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Barry Ryan
University College Cork
The central argument of Italo Calvino’s brief 1946 essay “Omero antimilitarista”[i] is “the Marxist line that the Iliad represents the criticism of the troops against the officers arrogant quarrels, and the Odyssey portrays the problematic return that awaits all soldiers and partisans” (McLaughlin 30). Of equal [...]]]></description>
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		<title>For a New Poetics of the Site [i]</title>
		<link>http://www.pennworkingpapers.org/articles/2009/12/11/bosteels-new-poetics-site/</link>
		<comments>http://www.pennworkingpapers.org/articles/2009/12/11/bosteels-new-poetics-site/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 04:28:04 +0000</pubDate>
		<dc:creator>workingpapers</dc:creator>
		
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Bruno Bosteels
Cornell University
On two very different occasions, Gilles Deleuze offered an evaluation of the philosophy of Alain Badiou as it is summed up in Being and Event. The first of these evaluations covers two dense pages of What Is Philosophy?, written in collaboration with Félix Guattari. Here, long before [...]]]></description>
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		<title>Haussmannization and the Conquest of Place: Configuring Parisian Global Influence in the Second Empire (1852-1870)</title>
		<link>http://www.pennworkingpapers.org/articles/2009/12/11/sweeney-haussmannization-parisian-influence-second-empire/</link>
		<comments>http://www.pennworkingpapers.org/articles/2009/12/11/sweeney-haussmannization-parisian-influence-second-empire/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 04:26:56 +0000</pubDate>
		<dc:creator>workingpapers</dc:creator>
		
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Niamh Sweeney
University College Cork
Paris of the Second Empire, habitually characterized as a site of transition where the unsettling of social, cultural and spatial boundaries announces the tensions of early modernity, is irrevocably associated with the process of urban renovation known, after Engels, as Haussmannization (1:559). Indeed, this process, whose [...]]]></description>
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		<title>« La vraie liberté, c’est de pouvoir se passer d’autrui » : fraternité et forme dans les Scènes de la vie de bohème de Murger</title>
		<link>http://www.pennworkingpapers.org/articles/2008/11/18/swanson-la-vraie-liberte/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/11/18/swanson-la-vraie-liberte/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 04:05:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 2]]></category>

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		<guid isPermaLink="false">http://www.pennworkingpapers.org/articles/2008/11/18/%c2%ab-la-vraie-liberte-c%e2%80%99est-de-pouvoir-se-passer-d%e2%80%99autrui-%c2%bb-fraternite-et-forme-dans-les-scenes-de-la-vie-de-boheme-de-murger/</guid>
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Lucy Swanson
  University of Pennsylvania
Les Scènes de la vie de bohème1, l’ouvrage d’Henry Murger, a créé un mythe bohémien qui perdure jusqu’à nos jours grâce aux adaptations dramatiques de l’histoire, mais le texte reste peu considéré dans des cercles académiques, et aucun critique n’a examiné l’importance de la [...]]]></description>
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		<title>Ciúme e soterramento em Ressurreição</title>
		<link>http://www.pennworkingpapers.org/articles/2008/11/18/herane-ciume-e-soterramento/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/11/18/herane-ciume-e-soterramento/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 04:05:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 2]]></category>

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Amanda Rios Herane
  University of São Paulo
Pequeno panorama crítico 
  Ressurreição, primeiro romance de Machado de Assis, de 1872, é uma obra que ainda hoje atrai poucos olhares críticos brasileiros, muito em função da maneira como se inscreveu na tradição crítica do país. Do século XIX ao [...]]]></description>
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		<title>The Pleasures of Violence: Irony and Post-testimonial Discourse in Cidade de Deus by Paulo Lins.</title>
		<link>http://www.pennworkingpapers.org/articles/2008/11/18/lorenz-pleasures-of-violence/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/11/18/lorenz-pleasures-of-violence/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 04:05:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 2]]></category>

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Aaron Lorenz Tulane University
“Only intellectuals enjoy poverty. (Quem gosta de miseria é intelectual)” Joãozinha Trinta. Quoted in “Traficando Informação.” MV Bill

The novel, Cidade de Deus (1997), by Paulo Lins, can be seen as a landmark in the shift towards a new aesthetics of poverty in Brazil and marks the [...]]]></description>
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		<title>Um começo e uma origem - pela poesia de Nicolas Behr</title>
		<link>http://www.pennworkingpapers.org/articles/2008/11/18/bastos-comeco-e-uma-origem/</link>
		<comments>http://www.pennworkingpapers.org/articles/2008/11/18/bastos-comeco-e-uma-origem/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 04:05:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Issue 2]]></category>

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Laíse Ribas Bastos 
Universidade Federal de Santa Catarina
Quando todos já tiverem contemplado a nobre criatura, vestígio de alguma época já maldita, uns indiferentes, pois não terão possuído a força de compreender, mas outros, aflitos, e a pálpebra úmida de lágrimas resignadas se contemplarão, enquanto que os poetas desses tempos, [...]]]></description>
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